The Thieving Magpie - Revision history

Dougurasu: /* External Links */

2025-04-02T20:23:20Z

External Links

← Older revision		Revision as of 22:23, 2 April 2025
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	==External Links==		==External Links==
	* Read ''La pie voleuse'' (1831) by [[wikipedia:Gioacchino Rossini\|Gioacchino Rossini]] and Castil-Blazeon on [https://books.google.nl/books?id=mBcQAAAAYAAJ&redir_esc=y google books].		* Read ''La pie voleuse'' (1831) by [[wikipedia:Gioacchino Rossini\|Gioacchino Rossini]] and Castil-Blazeon on [https://books.google.nl/books?id=mBcQAAAAYAAJ&redir_esc=y google books].
	* Read ''La Gazza Ladra'' (1833) by [[wikipedia:Gioacchino Rossini\|Gioacchino Rossini]] and [[wikipedia:Giovanni Gherardini\|Giovanni Gherardini]] on [https://books.google.nl/books?id=khcQAAAAYAAJ&redir_esc=y books].		* Read ''La Gazza Ladra'' (1833) by [[wikipedia:Gioacchino Rossini\|Gioacchino Rossini]] and [[wikipedia:Giovanni Gherardini\|Giovanni Gherardini]] on [https://books.google.nl/books?id=khcQAAAAYAAJ&redir_esc=y google books].

	==Notes==		==Notes==

Dougurasu: /* External Links */

2025-04-02T20:23:04Z

External Links

← Older revision		Revision as of 22:23, 2 April 2025
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	==External Links==		==External Links==
	* Read ''La pie voleuse'' (1831) by [[wikipedia:Gioacchino Rossini\|Gioacchino Rossini]] and ~~[[wikipedia:~~Castil-Blazeon~~\|Castil-Blazeon]]~~ on [https://books.google.nl/books?id=mBcQAAAAYAAJ&redir_esc=y google books].		* Read ''La pie voleuse'' (1831) by [[wikipedia:Gioacchino Rossini\|Gioacchino Rossini]] and Castil-Blazeon on [https://books.google.nl/books?id=mBcQAAAAYAAJ&redir_esc=y google books].
	* Read ''La Gazza Ladra'' (1833) by [[wikipedia:Gioacchino Rossini\|Gioacchino Rossini]] and [[wikipedia:Giovanni Gherardini\|Giovanni Gherardini]] on [https://books.google.nl/books?id=khcQAAAAYAAJ&redir_esc=y books].		* Read ''La Gazza Ladra'' (1833) by [[wikipedia:Gioacchino Rossini\|Gioacchino Rossini]] and [[wikipedia:Giovanni Gherardini\|Giovanni Gherardini]] on [https://books.google.nl/books?id=khcQAAAAYAAJ&redir_esc=y books].

Dougurasu: /* External Links */

2025-04-02T20:22:38Z

External Links

← Older revision		Revision as of 22:22, 2 April 2025
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	==External Links==		==External Links==
			* Read ''La pie voleuse'' (1831) by [[wikipedia:Gioacchino Rossini\|Gioacchino Rossini]] and [[wikipedia:Castil-Blazeon\|Castil-Blazeon]] on [https://books.google.nl/books?id=mBcQAAAAYAAJ&redir_esc=y google books].
			* Read ''La Gazza Ladra'' (1833) by [[wikipedia:Gioacchino Rossini\|Gioacchino Rossini]] and [[wikipedia:Giovanni Gherardini\|Giovanni Gherardini]] on [https://books.google.nl/books?id=khcQAAAAYAAJ&redir_esc=y books].

	==Notes==		==Notes==

Dougurasu: /* La gazza ladra */

2025-04-02T20:18:49Z

La gazza ladra

← Older revision		Revision as of 22:18, 2 April 2025
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	===La gazza ladra===		===La gazza ladra===
			[[File:Disegno per copertina di libretto, disegno di Peter Hoffer per La gazza ladra (s.d.) - Archivio Storico Ricordi ICON012367.jpg\|thumb\|right\|300px\|Peter Hoffer's 20th century cover design for the [[wikipedia:libretto\|libretto]] of [[wikipedia:La gazza ladra\|La gazza ladra]].]]
	Ninetta is a servant in the household of Fabrizio Vingradito. His son, Giannetto, is soon to return home from the war, and Ninetta prepares a celebration in his honor. She is in love with Giannetto, and their union is encouraged by all except Lucia, Fabrizio's wife, who suspects Ninetta of having stolen a recently missing silver fork. Giannetto arrives and is warmly welcomed.		Ninetta is a servant in the household of Fabrizio Vingradito. His son, Giannetto, is soon to return home from the war, and Ninetta prepares a celebration in his honor. She is in love with Giannetto, and their union is encouraged by all except Lucia, Fabrizio's wife, who suspects Ninetta of having stolen a recently missing silver fork. Giannetto arrives and is warmly welcomed.

	Shortly thereafter, Ninetta's father, Fernando Villabella, returns from the war as well. However, he has been declared a deserter after clashing with his captain and now faces a death sentence. He gives Ninetta two pieces of family silver to sell so he can survive while in hiding. The town’s Mayor, who has romantic intentions toward Ninetta, visits. To protect her father’s identity, Ninetta claims Fernando is just a passing vagrant. When the Mayor’s assistant arrives with a warrant for Fernando’s arrest, the Mayor—having forgotten his glasses—asks Ninetta to read it aloud. She seizes the moment to substitute a false description to mislead him. The Mayor continues to pursue her romantically, but she firmly rejects him. After they exit, a magpie flies down and steals one of Lucia’s silver spoons.		Shortly thereafter, Ninetta's father, Fernando Villabella, returns from the war as well. However, he has been declared a deserter after clashing with his captain and now faces a death sentence. He gives Ninetta two pieces of family silver to sell so he can survive while in hiding. The town’s Mayor, who has romantic intentions toward Ninetta, visits. To protect her father’s identity, Ninetta claims Fernando is just a passing vagrant. When the Mayor’s assistant arrives with a warrant for Fernando’s arrest, the Mayor—having forgotten his glasses—asks Ninetta to read it aloud. She seizes the moment to substitute a false description to mislead him. The Mayor continues to pursue her romantically, but she firmly rejects him. After they exit, a magpie flies down and steals one of Lucia’s silver spoons.

	[[File:Disegno per copertina di libretto, disegno di Peter Hoffer per La gazza ladra (s.d.) - Archivio Storico Ricordi ICON012367.jpg\|thumb\|right\|300px\|Peter Hoffer's 20th century cover design for the [[wikipedia:libretto\|libretto]] of [[wikipedia:La gazza ladra\|La gazza ladra]].]]

	Later, Ninetta sells the family silver for money. When Giannetto and the others return and discover the spoon is missing, Lucia and the Mayor accuse Ninetta of theft. Startled, she drops the coins she received from the sale, further fueling suspicion. The peddler who bought the silver mentions it had the initials "F.V.," which match both Fabrizio and Fernando. To protect her father, Ninetta remains silent. The Mayor orders her arrest, and she is sentenced to death.		Later, Ninetta sells the family silver for money. When Giannetto and the others return and discover the spoon is missing, Lucia and the Mayor accuse Ninetta of theft. Startled, she drops the coins she received from the sale, further fueling suspicion. The peddler who bought the silver mentions it had the initials "F.V.," which match both Fabrizio and Fernando. To protect her father, Ninetta remains silent. The Mayor orders her arrest, and she is sentenced to death.

Dougurasu: /* La gazza ladra */

2025-04-02T20:18:30Z

La gazza ladra

← Older revision		Revision as of 22:18, 2 April 2025
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	Shortly thereafter, Ninetta's father, Fernando Villabella, returns from the war as well. However, he has been declared a deserter after clashing with his captain and now faces a death sentence. He gives Ninetta two pieces of family silver to sell so he can survive while in hiding. The town’s Mayor, who has romantic intentions toward Ninetta, visits. To protect her father’s identity, Ninetta claims Fernando is just a passing vagrant. When the Mayor’s assistant arrives with a warrant for Fernando’s arrest, the Mayor—having forgotten his glasses—asks Ninetta to read it aloud. She seizes the moment to substitute a false description to mislead him. The Mayor continues to pursue her romantically, but she firmly rejects him. After they exit, a magpie flies down and steals one of Lucia’s silver spoons.		Shortly thereafter, Ninetta's father, Fernando Villabella, returns from the war as well. However, he has been declared a deserter after clashing with his captain and now faces a death sentence. He gives Ninetta two pieces of family silver to sell so he can survive while in hiding. The town’s Mayor, who has romantic intentions toward Ninetta, visits. To protect her father’s identity, Ninetta claims Fernando is just a passing vagrant. When the Mayor’s assistant arrives with a warrant for Fernando’s arrest, the Mayor—having forgotten his glasses—asks Ninetta to read it aloud. She seizes the moment to substitute a false description to mislead him. The Mayor continues to pursue her romantically, but she firmly rejects him. After they exit, a magpie flies down and steals one of Lucia’s silver spoons.

			[[File:Disegno per copertina di libretto, disegno di Peter Hoffer per La gazza ladra (s.d.) - Archivio Storico Ricordi ICON012367.jpg\|thumb\|right\|300px\|Peter Hoffer's 20th century cover design for the [[wikipedia:libretto\|libretto]] of [[wikipedia:La gazza ladra\|La gazza ladra]].]]

	Later, Ninetta sells the family silver for money. When Giannetto and the others return and discover the spoon is missing, Lucia and the Mayor accuse Ninetta of theft. Startled, she drops the coins she received from the sale, further fueling suspicion. The peddler who bought the silver mentions it had the initials "F.V.," which match both Fabrizio and Fernando. To protect her father, Ninetta remains silent. The Mayor orders her arrest, and she is sentenced to death.		Later, Ninetta sells the family silver for money. When Giannetto and the others return and discover the spoon is missing, Lucia and the Mayor accuse Ninetta of theft. Startled, she drops the coins she received from the sale, further fueling suspicion. The peddler who bought the silver mentions it had the initials "F.V.," which match both Fabrizio and Fernando. To protect her father, Ninetta remains silent. The Mayor orders her arrest, and she is sentenced to death.

Dougurasu: /* Comparisons to animated series */

2025-04-02T20:12:17Z

Comparisons to animated series

← Older revision		Revision as of 22:12, 2 April 2025
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	==Comparisons to [[Alfred J. Kwak\|animated series]]==		==Comparisons to [[Alfred J. Kwak\|animated series]]==
			[[File:Mpvsnap 2025-03-17 0124.png\|thumb\|right\|300px\|[[Alfred Jodocus Kwak\|Alfred]] gets found, seemingly red-handed at the scene of the crime by the [[The soldiers of the King\|King's guards]].]]
	The story of [[Pikkie de Ekster]] and [[Alfred Jodocus Kwak]], as presented in [[Alfred J. Kwak Episode 2\|episode 2]] and [[Alfred J. Kwak Episode 3\|episode 3]], shares multiple narrative and thematic parallels with the opera ''The Thieving Magpie''. In the animated series, Pikkie steals the Ruby of the Crown during a tour of the [[King's Castle]]. When the ruby falls onto Alfred’s head, he is discovered with it and wrongfully accused of theft. In this retelling, Alfred clearly assumes the role of the falsely accused protagonist—mirroring Annette/Ninetta—while Pikkie represents the literal magpie whose instinctive behavior sets the plot in motion.		The story of [[Pikkie de Ekster]] and [[Alfred Jodocus Kwak]], as presented in [[Alfred J. Kwak Episode 2\|episode 2]] and [[Alfred J. Kwak Episode 3\|episode 3]], shares multiple narrative and thematic parallels with the opera ''The Thieving Magpie''. In the animated series, Pikkie steals the Ruby of the Crown during a tour of the [[King's Castle]]. When the ruby falls onto Alfred’s head, he is discovered with it and wrongfully accused of theft. In this retelling, Alfred clearly assumes the role of the falsely accused protagonist—mirroring Annette/Ninetta—while Pikkie represents the literal magpie whose instinctive behavior sets the plot in motion.

Dougurasu: /* Comparisons to animated series */

2025-04-02T20:09:47Z

Comparisons to animated series

← Older revision		Revision as of 22:09, 2 April 2025
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	A notable divergence from the opera is that Pikkie, unlike the magpie in ''The Thieving Magpie'', is actually tried for the theft. He is ultimately shown leniency by receiving a royal yellow [[wikipedia:penalty card\|penalty card]], with his magpie heritage cited as a mitigating factor. This introduces a nuance not present in Rossini’s opera: the concept of natural instinct being weighed in the court's judgment.		A notable divergence from the opera is that Pikkie, unlike the magpie in ''The Thieving Magpie'', is actually tried for the theft. He is ultimately shown leniency by receiving a royal yellow [[wikipedia:penalty card\|penalty card]], with his magpie heritage cited as a mitigating factor. This introduces a nuance not present in Rossini’s opera: the concept of natural instinct being weighed in the court's judgment.

	[[~~File:~~File:Mpvsnap 2025-03-17 0046.png\|thumb\|right\|300px\|[[Pikkie de Ekster]] pulling out a silver spoon to give to [[Alfred Jodocus Kwak]] for his first birthday in [[Alfred J. Kwak Episode 2\|episode 2]].]]		[[File:Mpvsnap 2025-03-17 0046.png\|thumb\|right\|300px\|[[Pikkie de Ekster]] pulling out a silver spoon to give to [[Alfred Jodocus Kwak]] for his first birthday in [[Alfred J. Kwak Episode 2\|episode 2]].]]
	The moral message also diverges. While ''The Thieving Magpie'' functions as a cautionary tale about the consequences of hasty judgments and circumstantial evidence, the [[Alfred J. Kwak]] narrative focuses more on themes of loyalty, conscience, and moral responsibility as Alfred doesn't want to betray Pikkie. However, Alfred’s decision not to reveal that his friend Pikkie was the true culprit parallels Ninetta’s refusal to expose her father as a deserter. However, unlike Ninetta, Alfred faces no external coercion—only uncertainty about how the court might treat a magpie. The story ultimately affirms faith in the justice system, with the court depicted as fair and capable of compassion.		The moral message also diverges. While ''The Thieving Magpie'' functions as a cautionary tale about the consequences of hasty judgments and circumstantial evidence, the [[Alfred J. Kwak]] narrative focuses more on themes of loyalty, conscience, and moral responsibility as Alfred doesn't want to betray Pikkie. However, Alfred’s decision not to reveal that his friend Pikkie was the true culprit parallels Ninetta’s refusal to expose her father as a deserter. However, unlike Ninetta, Alfred faces no external coercion—only uncertainty about how the court might treat a magpie. The story ultimately affirms faith in the justice system, with the court depicted as fair and capable of compassion.

Dougurasu: /* Comparisons to animated series */

2025-04-02T20:09:36Z

Comparisons to animated series

← Older revision		Revision as of 22:09, 2 April 2025
Line 72:		Line 72:
	A notable divergence from the opera is that Pikkie, unlike the magpie in ''The Thieving Magpie'', is actually tried for the theft. He is ultimately shown leniency by receiving a royal yellow [[wikipedia:penalty card\|penalty card]], with his magpie heritage cited as a mitigating factor. This introduces a nuance not present in Rossini’s opera: the concept of natural instinct being weighed in the court's judgment.		A notable divergence from the opera is that Pikkie, unlike the magpie in ''The Thieving Magpie'', is actually tried for the theft. He is ultimately shown leniency by receiving a royal yellow [[wikipedia:penalty card\|penalty card]], with his magpie heritage cited as a mitigating factor. This introduces a nuance not present in Rossini’s opera: the concept of natural instinct being weighed in the court's judgment.

			[[File:File:Mpvsnap 2025-03-17 0046.png\|thumb\|right\|300px\|[[Pikkie de Ekster]] pulling out a silver spoon to give to [[Alfred Jodocus Kwak]] for his first birthday in [[Alfred J. Kwak Episode 2\|episode 2]].]]
	The moral message also diverges. While ''The Thieving Magpie'' functions as a cautionary tale about the consequences of hasty judgments and circumstantial evidence, the [[Alfred J. Kwak]] narrative focuses more on themes of loyalty, conscience, and moral responsibility as Alfred doesn't want to betray Pikkie. However, Alfred’s decision not to reveal that his friend Pikkie was the true culprit parallels Ninetta’s refusal to expose her father as a deserter. However, unlike Ninetta, Alfred faces no external coercion—only uncertainty about how the court might treat a magpie. The story ultimately affirms faith in the justice system, with the court depicted as fair and capable of compassion.		The moral message also diverges. While ''The Thieving Magpie'' functions as a cautionary tale about the consequences of hasty judgments and circumstantial evidence, the [[Alfred J. Kwak]] narrative focuses more on themes of loyalty, conscience, and moral responsibility as Alfred doesn't want to betray Pikkie. However, Alfred’s decision not to reveal that his friend Pikkie was the true culprit parallels Ninetta’s refusal to expose her father as a deserter. However, unlike Ninetta, Alfred faces no external coercion—only uncertainty about how the court might treat a magpie. The story ultimately affirms faith in the justice system, with the court depicted as fair and capable of compassion.

Dougurasu: /* Comparisons to animated series */

2025-04-02T20:05:18Z

Comparisons to animated series

← Older revision		Revision as of 22:05, 2 April 2025
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	==Comparisons to [[Alfred J. Kwak\|animated series]]==		==Comparisons to [[Alfred J. Kwak\|animated series]]==
			The story of [[Pikkie de Ekster]] and [[Alfred Jodocus Kwak]], as presented in [[Alfred J. Kwak Episode 2\|episode 2]] and [[Alfred J. Kwak Episode 3\|episode 3]], shares multiple narrative and thematic parallels with the opera ''The Thieving Magpie''. In the animated series, Pikkie steals the Ruby of the Crown during a tour of the [[King's Castle]]. When the ruby falls onto Alfred’s head, he is discovered with it and wrongfully accused of theft. In this retelling, Alfred clearly assumes the role of the falsely accused protagonist—mirroring Annette/Ninetta—while Pikkie represents the literal magpie whose instinctive behavior sets the plot in motion.

			There are potential but ultimately unconvincing parallels to other characters in the opera. [[Henk de Mol]] might appear to function as a stand-in for Ninetta’s father, Fernando Villabella, and the two unnamed [[Mice\|mice]] might be compared to Antonio, the compassionate prison warden. However, these comparisons break down upon closer examination, as their narrative roles and dramatic weight are not directly aligned with their operatic counterparts.

			A notable divergence from the opera is that Pikkie, unlike the magpie in ''The Thieving Magpie'', is actually tried for the theft. He is ultimately shown leniency by receiving a royal yellow [[wikipedia:penalty card\|penalty card]], with his magpie heritage cited as a mitigating factor. This introduces a nuance not present in Rossini’s opera: the concept of natural instinct being weighed in the court's judgment.

			The moral message also diverges. While ''The Thieving Magpie'' functions as a cautionary tale about the consequences of hasty judgments and circumstantial evidence, the [[Alfred J. Kwak]] narrative focuses more on themes of loyalty, conscience, and moral responsibility as Alfred doesn't want to betray Pikkie. However, Alfred’s decision not to reveal that his friend Pikkie was the true culprit parallels Ninetta’s refusal to expose her father as a deserter. However, unlike Ninetta, Alfred faces no external coercion—only uncertainty about how the court might treat a magpie. The story ultimately affirms faith in the justice system, with the court depicted as fair and capable of compassion.

			One compelling link that may serve as direct evidence of inspiration from The Thieving Magpie is found in Pikkie’s first appearance at [[Ollie's house]]. He proudly presents the gift he intends to give Alfred: a silver spoon—echoing the central stolen object in the opera and strongly suggesting an intentional allusion.

	==External Links==		==External Links==

Dougurasu: /* La gazza ladra */

2025-04-02T19:40:12Z

La gazza ladra

← Older revision		Revision as of 21:40, 2 April 2025
Line 53:		Line 53:

	===La gazza ladra===		===La gazza ladra===
			Ninetta is a servant in the household of Fabrizio Vingradito. His son, Giannetto, is soon to return home from the war, and Ninetta prepares a celebration in his honor. She is in love with Giannetto, and their union is encouraged by all except Lucia, Fabrizio's wife, who suspects Ninetta of having stolen a recently missing silver fork. Giannetto arrives and is warmly welcomed.

			Shortly thereafter, Ninetta's father, Fernando Villabella, returns from the war as well. However, he has been declared a deserter after clashing with his captain and now faces a death sentence. He gives Ninetta two pieces of family silver to sell so he can survive while in hiding. The town’s Mayor, who has romantic intentions toward Ninetta, visits. To protect her father’s identity, Ninetta claims Fernando is just a passing vagrant. When the Mayor’s assistant arrives with a warrant for Fernando’s arrest, the Mayor—having forgotten his glasses—asks Ninetta to read it aloud. She seizes the moment to substitute a false description to mislead him. The Mayor continues to pursue her romantically, but she firmly rejects him. After they exit, a magpie flies down and steals one of Lucia’s silver spoons.

			Later, Ninetta sells the family silver for money. When Giannetto and the others return and discover the spoon is missing, Lucia and the Mayor accuse Ninetta of theft. Startled, she drops the coins she received from the sale, further fueling suspicion. The peddler who bought the silver mentions it had the initials "F.V.," which match both Fabrizio and Fernando. To protect her father, Ninetta remains silent. The Mayor orders her arrest, and she is sentenced to death.

			While imprisoned, Ninetta is visited by Giannetto and Pippo, a fellow servant, with the help of the sympathetic prison warden Antonio. She convinces them of her innocence. The Mayor returns and offers to drop the charges if she returns his affections, but Ninetta refuses. After his departure, she asks Pippo to sell a gold cross and place the money in their agreed location. She is taken to court and found guilty. Fernando bursts into the courtroom to save her but is recognized and arrested.

			Ernesto, a military comrade of Fernando, arrives with a royal pardon. Pippo guides him to the Mayor. In gratitude, Ernesto gives Pippo a silver coin, which is immediately stolen by a magpie. The bird flies up a tower, and Pippo and Antonio pursue it. There, they discover the missing silver spoon and fork in the magpie’s nest. They ring the bells to alert the townspeople below, who are gathered for Ninetta’s execution.

			Ninetta is saved at the last moment and reunited with her father, while justice is restored. Everyone rejoices—except for the Mayor, who is left disgraced.

	==Comparisons to [[Alfred J. Kwak\|animated series]]==		==Comparisons to [[Alfred J. Kwak\|animated series]]==

← Older revision		Revision as of 22:12, 2 April 2025
Line 66:		Line 66:

	==Comparisons to [[Alfred J. Kwak\|animated series]]==		==Comparisons to [[Alfred J. Kwak\|animated series]]==
			[[File:Mpvsnap 2025-03-17 0124.png\|thumb\|right\|300px\|[[Alfred Jodocus Kwak\|Alfred]] gets found, seemingly red-handed at the scene of the crime by the [[The soldiers of the King\|King's guards]].]]
	The story of [[Pikkie de Ekster]] and [[Alfred Jodocus Kwak]], as presented in [[Alfred J. Kwak Episode 2\|episode 2]] and [[Alfred J. Kwak Episode 3\|episode 3]], shares multiple narrative and thematic parallels with the opera ''The Thieving Magpie''. In the animated series, Pikkie steals the Ruby of the Crown during a tour of the [[King's Castle]]. When the ruby falls onto Alfred’s head, he is discovered with it and wrongfully accused of theft. In this retelling, Alfred clearly assumes the role of the falsely accused protagonist—mirroring Annette/Ninetta—while Pikkie represents the literal magpie whose instinctive behavior sets the plot in motion.		The story of [[Pikkie de Ekster]] and [[Alfred Jodocus Kwak]], as presented in [[Alfred J. Kwak Episode 2\|episode 2]] and [[Alfred J. Kwak Episode 3\|episode 3]], shares multiple narrative and thematic parallels with the opera ''The Thieving Magpie''. In the animated series, Pikkie steals the Ruby of the Crown during a tour of the [[King's Castle]]. When the ruby falls onto Alfred’s head, he is discovered with it and wrongfully accused of theft. In this retelling, Alfred clearly assumes the role of the falsely accused protagonist—mirroring Annette/Ninetta—while Pikkie represents the literal magpie whose instinctive behavior sets the plot in motion.