Title card version 1 Language: Dutch Title:De Eieren Translation:The Eggs First airdate: 24/12/1989 Network: VARA
Title card version 1 Language: German Title:Hurra, er ist da! Translation:Hooray, He's Here! First airdate: 13/10/1990 Network: ZDF
Title card version 1 Language: English Title:Alfred Comes to Life Translation: - First airdate: 7/7/1990 Network: Channel 4
Title card version 1 Language: French Title:La naissance d'Alfred Translation:Alfred's Birth First airdate: 05/11/1990 Network: Avant l'ecole
Title card version 1 Language: Finnish Title:Alfredin elon alkutaival - Osa 1 Translation:Alfred's Life Journey - Part 1 First airdate: Unknown Network: Unknown
Title card version 1 Language: Italian Title:La nascita di Alfred Translation:The Birth of Alfred First airdate: 25/09/1990 Network: Italia 1
Title card version 1 Language: Portugese Title:O Nascimento de Alfred Translation:The Birth of Alfred First airdate: Unknown Network: Unkown
Title card version 1 Language: Chinese Title:阿福雷特誕生 (Ā fú léi tè dànshēng) Translation:The Birth of Alfred First airdate: 13/10/1990 Network: Unknown
Title card version 1 Language: Hungarian Title:Alfréd megszületik Translation:Alfred is Born First airdate: 27/06/1993 Network: Unknown
"Het verjaardagsfeestje" (lit: The Birthday Party) or "初めてのバースデー" (Hajimete no bāsudē; lit: First birthday) Is the 2nd episode of Alfred J. Kwak's first season. The episode first aired in Japan on TV Tokyo on 10 April 1989 in the Monday 17:00 - 17:30 slot. The episode picks up the story directly from the events of the previous episode and concludes with a cliffhanger that leads into the next episode.
Story
Summary
Johan Sebastiaan Kwak, Anna van de Polder, and their children begin their emigration from Breed Rietland to Groot Waterland, bringing their living clog with them. They are accompanied by Henk de Mol, who once again shows Johan the photograph of his grandfather, with the mine house visible in the image. Johan comments that the place must be very quiet. Behind them, fireworks illuminate the sky, marking the official opening of the theme park Groot Speelgoedland. Johan becomes visibly upset, but Anna calms him. Their son, Alfred Jodocus Kwak, is momentarily distracted by a butterfly and wanders off. Henk chases after him, leaving behind the photograph, which Johan then stores safely under his hat. As they continue walking, Anna quietly expresses her disapproval of the Beton Maatschappij.
At the Beton Maatschappij office, Alfons Rokodil, Olaf Nijlpaard, and Bart 'Beton' Bever boast about the profits made on Groot Speelgoedland’s opening day. As they prepare to deposit the earnings at the bank, their car backs into a statue in the courtyard before speeding off, leaving Bart behind.
As the weather worsens and heavy rain begins to fall, Johan and his family prepare to cross the road into Groot Waterland. Alfred spots a frog and runs off after it, with Henk in pursuit.
Meanwhile, Rokodil and Nijlpaard are distracted by the radio when a sudden lightning strike startles them, causing their car to veer off course. They strike Johan, Anna, and their children as they are crossing the road. The car does not stop and drives on. From a distance, Henk hears the accident and rushes to the road. All that remains is the living clog and the photograph of his grandfather’s mine. Alfred, now by Henk’s side, is unable to fully grasp what has happened. Henk attempts to comfort him.
Some time later, Henk finds Alfred sitting outside the mine house. Although they have now settled in, Alfred refuses to eat. Henk gently encourages him, warning that if he doesn't eat, he may fall ill—something his parents would certainly not have wanted. As Alfred reluctantly returns to the house, Henk reflects on his new responsibility, stating that he will raise Alfred until adulthood. He adds that he will serve as both mother and father to him, but admits there is one thing he cannot teach: how to swim.
The months and the seasons pass and on Alfred's first birthday Henk prepares a party. In the morning he prepares the table with a present and checks to see if Alfred's already awake. Alfred would love to sleep in a little and Henk lets him.
In Polderstad, Pikkie de Ekster flies erratically and crash-lands at the door of the house of Ollie de Ooievaar. Ollie opens the door and invites Pikkie in. Curious about what Ollie has prepared as a present for Alfred, Pikkie asks, but Ollie keeps it a secret. Pikkie then reveals the silver spoon he intends to give as a gift, admiring its beauty.
When Henk opens a window, sunlight reflects off a key worn by one of the sparrow triplets on a rope around their neck. Pikkie begins to hallucinate, imagining the key speaking to her and urging her to take it. She and the sparrow tug on the rope until it snaps. Snapped out of her trance, Pikkie is confused, as are the others. Henk speculates that this may be an instinctive reaction due to Pikkie being a magpie, something Pikkie herself hears for the first time. Before the conversation can continue, a bus horn is heard from outside.
Henk’s present for Alfred is a group visit to the King's castle. During the bus ride, the children ask whether they will get to see the King, but Henk explains that they likely won’t. According to him, the King is usually out hunting on Wednesdays, as that is the day when many tourists visit the castle.
The King is out hunting, carried in a litter by his hunters, and accompanied by a grumpy Jonkheer Das. During the excursion, the King destroys a sign intended to warn outsiders of royal hunting activity. Mistaking the honking of a passing bus for the call of a deer in heat, he prepares to shoot at it—only to be interrupted when one of the hunters trips, causing the King to fall from the litter.
Inside the castle, Jonkheer Poen van Kale Koen gives Alfred and his group a guided tour, beginning with a portrait of Otto the Third, depicted near the great castle of Otterdom. Alfred is momentarily distracted by his own reflection in the polished floor and pillars, but Henk de Mol quickly retrieves him, and the group continues into the kitchen. There, the brothers Do, Re and Mi Lano are seen preparing noodles through an elaborate culinary ritual involving a hand-cranked pasta machine.
While the tour guide continues, Alfred encounters one of the King's guards standing completely motionless. Mistaking the guard for a mannequin, Alfred pokes him, only to be startled when the guard suddenly sneezes—prompting Alfred to flee in fright.
The tour continues into the castle's cellar, where Jonkheer Poen displays a fully functioning guillotine to the visitors.
Language and Regional Variations
The following lists differences between the Dutch version and other versions. For detailed information on music differences check the Music section. General differences between series like names can be found at Alfred J. Kwak Production
The Dutch and German version does not mention where Olaf Nijlpaard and Alfons Rokodil are going to after receiving the money from the opening of Groot Speelgoedland, but in the Japanes and English version Olaf explicitely says they are going to the bank to deposit the money they just earned.
Continuity
This episode forms one cohesive story together with Episode 1 and Episode 3.
The scene where Alfred mistakes one of the large guards for a giant doll closely mirrors a moment from the first episode, in which Alfred similarly mistakes a large animatronic gorilla for an inanimate figure before being startled.
From the time Henk de Mol and Alfred begin living at Henk's grandfather's mine house, Alfred is seen with a stuffed animal resembling a yellow duck wearing a red scarf. This serves as a visual reference to the design Alfred adopts starting in episode 4 of the animated series.
By the time of episode 20, after King Franz Ferdinand takes over the throne, most of the riches from the castle's treasury room had been sold off, including what Jonkheer Poen van Kale Koen calls "the most expensive stone on this planet".
Cultural references
The finished version of Groot Speelgoedland, particularly the design of its central castle, bears a striking resemblance to the iconic castle found in Disneyland. This visual similarity serves as a likely reference, reinforcing the idea that Groot Speelgoedland is intended as a satirical counterpart to the famous theme park.
The story of Pikkie de Ekster, which explores how magpies are naturally drawn to steal shiny objects and how someone else may be punished for actions that are instinctive to a magpie but not criminal in intent, bears a striking resemblance to the story The Thieving Magpie. Check the production chapter for a more detailed breakdown.[1]
One of the guards is positioned in front of the vault door, instead of behind it.
Errata
When Olaf Nijlpaard descends from the stairs Bart 'Beton' Bever pops up in the background without emerging from the room they were in. In the next shot, it's Alfons Rokodil that pops up from the entrance to the building.
In the shot where Olaf Nijlpaard enters the car, Bart 'Bever'Beton's chin is miscolored to be the same as the rest of his face.
An animation error occurs in the scene where Jonkheer Poen van Kale Koen guides Alfred's party to the treasury of the King's castle. One of the guards stationed at the vault entrance is incorrectly positioned in front of the open vault door instead of behind it. This error appears to be due to an incorrect layering of animation cells.
The story of Pikkie de Ekster, which explores how magpies are naturally drawn to steal shiny objects and how someone else may be punished for actions that are instinctive to a magpie but not criminal in intent, bears a striking resemblance to the story of The Thieving Magpie. The most famous performance of this story is the Italian La gazza ladra (lit. The Thieving Magpie). This melodramma is a two-act opera by Gioachino Rossini about a magpie that steals a spoon from the household of Fabrizio Vingradito. One of the servants, Ninetta, is wrongly accused of the theft and sentenced to death. At the last moment, the prison warden and Fabrizio’s manservant discover that a magpie was responsible, saving Ninetta just in time.[1]
This episode appears to reference the opera, with Alfred Jodocus Kwak occupying a role similar to that of Ninetta. Pikkie de Ekster also starts specifically with a silver spoon at the start of the animated episode, solidifying the reference. The ending to the next episode mirrors the ending to the opera as well.
↑Seville, Adrian (2019-07-01). The Cultural Legacy of the Royal Game of the Goose. Amsterdam: Amsterdam University Press. p. 333-352. ISBN9789048535880.